(no subject)

[dragonlady7]

motivations?, but it's worth considering!

via https://ift.tt/fAuFPnd

beyondthisdarkhouse https://www.tumblr.com/beyondthisdarkhouse/711561557741617152/im-coming-to-change-how-i-think-of-historical :

I’m coming to change how I think of “historical accuracy”, which I used to think was the highest peak of perfection when it comes to making historical clothes, or writing fiction, or whatever. Because that ideal, or the way I was using it, have turned out to be really toxic for me; it sets up a world where there’s Good and there’s Bad and if you’re not historically accurate enough it’s okay for all the other kids to make fun of you. And you have to suffer and be virtuous an appropriate amount before you’re allowed to feel good about your art.

I’m so sick of the way costumers talk about their own projects, picking them to pieces. “I made this dress ten years ago before I knew very much about historical costuming, and it’s just a disaster. Everything is polyester, and the hems are all done by machine…”

I think I used to want to disappear into historical accuracy like a person hiding in a hollow tree; if all my work was perfectly accurate, there was nothing of me to criticize or laugh at. It would finally be safe and okay for me to be a weirdo dreamer who loved creating things and wanted to look fantastic, because I had created an armour of artifice. I had slipped entirely into a world that would support and enclose me.

Letting go of historical accuracy has meant I’ve had to accept who I am now. I’ve got to understand and see the beauty in the modern world and all its strange complexities. And I’ve also got to accept and defend myself in the face of derision or disrepect or criticism, instead of blaming myself for not being perfect enough to avoid them. (To be clear: Sometimes that “defense” just means tuning out or walking away. People aren’t automatically correct just because they’re critical of me. Which was kind of a surprise.)

The mindset that works for me now is that I am a modern person, living in modern material reality. I am making works that are in conversation with the past. They will never not be modern works, but they’re worth making and appreciating no matter how unhistorical they are. Sometimes their conversation with the past is shouting and waving at someone on the other side of a crowd; sometimes it’s a deeply braided multi-year friendship that infuses every fibre.

This also opens up a whole dimension of attitude, where sometimes I love the past and want to hold it up as amazing, and sometimes I think the past should go fuck itself and I’ll do what I want instead. History isn’t a dictator. (Your picture was not posted)