Feb. 21st, 2018

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Even when I don’t make any sound she always Knows when I’m taking her picture. But I couldn’t let Those Toes go unremarked.
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notbecauseofvictories:

han, leia, and the five first times there weren’t (plus the one there was)

[read on AO3]

..yavin.

This would be an easier story to tell if he’d been drunk. If they’d stumbled together in the frantic aftermath of the Death Star, giddy in their temporary immortality (the fear it wouldn’t still be there, come morning.) It would have been easy, a story told a hundred times before, too much cheapshit ale and a beautiful girl he doesn’t deserve, flushed and smiling, at him, at him; one night of pretending he was worthy of her. It’s an old story. Older than the stars.

But that wasn’t it. That wasn’t—

He’s sober and so is she, though the way the sunlight filters through the viewports—retracted, to let in the rain-washed air—is headier than it has right to be. Luke had left, something about sabacc with Antilles; but it’s easy to stay here, with her, lazing in the warmth of her rooms and teasing her for how serious she looks, bent over her datapad. Occasionally, she reaches for something on the desk; instinctively, because she always looks up when she can’t find it, shakes her head as though chasing away a thought.

He wonders what used to sit on her desk on Alderaan. He wonders if he can ask, or if that’s impolite, reminding a girl her planet is dead.

Really he just likes watching her, the graceful economy of her hands, the way she touches her mouth sometimes, checking on her lip. (Her ‘war wound’—she’d worried at her lower lip all through the battle of the Death Star, torn it open. It still bled when she smiled.) He’d tell her she’s beautiful, but he gets the sense that she’s heard it before, though maybe not quite the way he means it. He imagines princesses get called ‘beautiful’ like paintings or vases do, not ‘beautiful’ like women, like her, like the nape of her neck and her lip, bleeding.

Likely there’s some royal bantha-fucker out there who’s promised her hand in marriage, but there’s no harm in Han looking in the meantime.

“Stop looking at me like that, Solo,” she says then, like she can hear him thinking it.

He grins, letting his head fall against the back of the chair. The Massassi left every inch of the stone carved, back when this was their temple; the ceiling of her quarters is the coils of a monstrous snake, swallowing a planet. Han hopes it’s not this one. “And how exactly am I looking at you, princess?”

He doesn’t think he’s heard her laugh before. She should do that more often.

“You’re funny, Solo.”

“I am kriffing hilarious, Your Worship, but you haven’t answered my question.”

She scoffs. “I wasn’t raised in a tower. I know what that look means.”

“Enlighten me.”

“…you’re not going to make me say it.”

“I would also accept a practical demonstration,” Han offers generously. His grin is wasted on the carved ceiling.

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ha i just sent an email to the car dealership. i couldn’t find the guy’s card who had been helping me, since he handed it to me at the beginning of the interaction and christ knows where i put that, i was juggling like eighty things it was so annoying. so i just looked at the Meet Our Staff page and picked the guy whose picture was biggest, since my actual helper wasn’t there. 

I also learned my lesson with my health insurance company: they will fucking stalk you to find a phone number to call you, and in my case that is fucking predatory because with my memory issues I’ll agree to basically anything anyone says and not be able to recall the conversation in detail later. If it doesn’t happen in writing, it doesn’t happen. So I wrote this whole email– I wrote it Saturday, and left it sitting so I’d calm down, but it didn’t work, I came back today and I was even madder. 

And then I put a PS on the end that was like “if you call me on the telephone I will never speak to you again so don’t do that shit”, only slightly nicer. But I mean it. If they call me I will not only never do business with them again, but I won’t let Dude take his car there, and I will obsessively leave them shitty comments on every social media reviewing site I can find. They’re one of those corporate smarmy “metrics of satisfaction” type places. Fuck those guys.

But. I can book appointments online. That’s literally all I want, to never have to call anyone on the phone.

But it’s a fleeting joy, because they always call me like five times, and they always call me right in the middle of the service, every time, to say “oh my gosh we need you to give us eight hundred more dollars for something you’ve never heard before” and I’m so stressed by being on the phone that I always say “sure” and you know what?

I’d rather just… forego the foolish false security of the online booking form. It’s just not worth it.

Oh I just dug out the receipt they gave me after this service. Remember how in the fall they were like “all your tires are in the yellow you need new ones” and I was like “i just gave you $1k for brakes I can’t buy new tires” but I had that in the back of my mind?

All four tires are green on their “umpty-zillion point checklist” thing. All four. Totally green. Condition: “Excellent”.

What the fuck you fucking hucksters. fuck you.
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listen i know we just all got done roasting Rian “That’s Not A Plot Twist You Just Fucking Lied” Johnson over needing there to be conflict in every scene but uh

this damn mammoths novel is suffering from a lack of conflict. i mean, i introduce that the heroine wants something in the first scene, she wants to find out a thing, and then i introduce the larger quest, that she wants to find out the background reason for a thing, and she’s gonna have to go on a journey to find someone who knows how to fix the thing, and that’s fine, but like

that’s not conflict, she just wants things to go back the way they were. and like. she can get that, and can have her goals change along the way, now she wants things to go back how they were only better, with better stuff, and so on. 

but like.

all the other stories i’ve ever written have involved a shitload of angst is what i’m saying and there’s no angst in that and i don’t know how to make there be.

also nobody has a sword and nobody, so far in any of the plotting, is going to have to do any Badly Injured Yet Persevering kind of tropes, and nobody’s really set up for any Mutual Pining They Don’t Know Is Mutual. And also I’ve designed this culture so that they’d be pretty nonchalant about Bedsharing so that’s not gonna have any impact.

I mean, I can introduce some antagonists maybe, get some violence into it somewhere or other so there are Bad Guys or at least Guys Whose Motivations Are Incompatible So They Have To Fight About It because all my attempts to write plain Evil have not worked out in the past, but. 

Sigh. 
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By coincidence, we were listening to this band last night (the band is called “I’m With Her” and they called themselves that before Clinton adopted it as a campaign slogan, is the standard disclaimer) and this morning I was trying to listen to them in the car but Google Play on mobile didn’t have their albums formatted correctly so I just threw on “songs” on “shuffle”. And this song came on, and I was like, why… do I know… this song…

and I had completely blocked out that circa 2001 I had a housemate who was super into modern non-commercial country, and so probably listened to John Hiatt a lot (it took me a fair bit of Googling just now to find him), and maybe Steve Earle covered this song, I don’t know. This housemate of mine was never super good about telling me who was who, and the Internet of the day, well, you could download anything but you had no guarantee anyone ever labeled it right. One of my favorite songs of that era, I never did find out who really recorded it; it said Steve Earle on it but there’s no way that was his voice. But, anyway. We’re not here to talk about LimeWire and the early Internet era.  

It’s a beautiful song and even more haunting when sung by an all-girl trio that doesn’t change the pronouns, is what I’m saying (though it’s confusing because it mentions the woman’s ‘husband’ but also calls her ‘my baby’ so like)…

Anyway. Enjoy, this is lovely. And if you like it, look in the related videos, there’s a live performance by this same trio of Adele’s Send My Love To Your New Lover that is both incredibly faithful and extremely beautiful.
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Miscalculation : frozen blueberries + granola + yogurt + really smeary magenta lipstick = of course I want to lick this spoon but I got a feeling that’s not blueberry juice after all
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galadhir replied to your post “writing ugh”

PS I’d be happy to start up or join some kind of original fiction club for mutual feedback if you thought that was a thing you might like.

ARE YOU KIDDING of course I would!!!! oh my gosh. That would be awesome. Also I love that you reblogged my rant full of self-digs about my angst proclivities and actually managed to have a productive discussion. I love your writing, I reread the Witch’s Boy every now and then and sort of gaze off into the distance about it. 

walburgablack replied to your post “writing ugh”

if it matters at all, I am in the same boat as you, and will for certes be reading whatever you write. And I also (oh god) hear you about the need and impossibility of conflict.

<3 <3

Like, you don’t have to just… make everyone fight… you don’t… but you have to do something. And I’d rather just have 100 pages of snappy dialogue and love scenes instead. But we all know I won’t get through the whole story unless I can make a pretty boy cry about something high-stakes. 
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My Ready Meal Is None Of Your Fucking Business.:

amuseoffyre:

This is a brilliant rebuttal against “well, some poor people can cook well!” that has been spouted by pro-austerity twats.
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