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gatheringbones https://gatheringbones.tumblr.com/post/691695928232607744:

[“Reading their obituaries, I learned that they were as old as ninety-two and as young as forty-eight. One was an “accidental florist,” one a “voracious reader,” another a “skilled baker” and “serious cook.” There was a landscaper, a painter and woodworker, a beekeeper and dog trainer. One taught creative writing to homeless youth, one had a thirty-year career in law enforcement. One man, Ernie Brooks, helped to establish the field of underwater photography and was known as the Ansel Adams of the sea.

Each of their bodies was placed inside an eight-foot-long steel cylinder called a “vessel,” along with wood chips, alfalfa, and straw. Over the next thirty days, the Recompose staff monitored the moisture, heat, and pH levels inside the vessels, occasionally rotating them, until the bodies transformed into soil. The soil was then transferred to curing bins, where it remained for two weeks before being tested for toxins and cleared for pickup.

Half of the NOR soil would wind up in a forest on Bells Mountain, in southwestern Washington, near the Oregon border. A composted body produces approximately one cubic yard of soil, which can fill a truck bed and weigh upwards of 1,500 pounds. For many surviving relatives—apartment dwellers, for example—taking home such a large quantity of soil is unrealistic, so Recompose offers them the option to donate it to the mountain, where it’s used to fertilize trees and repair land degraded by logging.

But Amigo Bob was a farmer, so Jenifer rented a U-Haul and brought the whole cubic yard of him home. She turned the trip into a kind of pilgrimage, stopping to visit loved ones and the headwaters of their favorite rivers. Over the next few months, their farmer friends came by and filled small containers with the soil to use on their own land. Jenifer used some to plant a cherry tree.

I asked her what it was like to have her husband home again, piled up in her driveway.

“Well, it’s compost,” she told me. “It’s still precious because it was his body. But it’s also compost.”]

To Be a Field of Poppies, by Lisa Wells https://href.li/?https://harpers.org/archive/2021/10/to-be-a-field-of-poppies-natural-organic-reduction-composting-corpse/ (Your picture was not posted)

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discussions, good reading even if not OFMD fan, pan-fandom applicable

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chuplayswithfire https://chuplayswithfire.tumblr.com/post/695762477461405696/so-like-fandom-has-a-racism-problem-yeah-thats :

So like, fandom has a racism problem, yeah. That’s not a surprise. Fandom’s just a microcosm of the rest of society, and society’s got a racism problem. But the more I look across content, the more I’ve started to realize people don’t seem to understand why racism is…. a problem.

And that makes it harder for people to see racism, when they don’t really… understand why and how it’s a problem. I’ve been thinking about this for the last day, and so I’m making this post today because I finally had a chance to sit and put my thoughts together in a way that I hope will make sense.

Because here’s the thing. I’ve been getting… more and more the idea that people think racism is a problem because it makes people feel bad. That Jim stabbed that British officer because calling Frenchie a slave was an insult that hurt Frenchie’s feelings. That Ed had the French captain skinned and thrown overboard because calling Ed a donkey hurt his feelings. That the ship full of aristocrats were jerks because they hurt Ed’s feelings.

And like. Yeah, I mean, on a very surface level, their feelings were hurt, sure, those were shit things to experience. But it’s not about their feelings, first and foremost. Racism isn’t about making people feel bad. Those things weren’t bad just because they were especially shit insults.

Racism is about making structural oppression. It’s about making people less - not making them feel less, but legally, socially, morally, literally, less than. It’s about establishing “this is a person, and that is not a person”. It’s about society wide depersonalization. And in the context of OFMD especially, it’s about whiteness and colonization, and the way that racism is the socially created and legally enforced system through which whiteness decides who counts and who doesn’t. Who is a person and who is a thing.

Slaves and donkeys? These are things. These are items to be bought and traded and sold and put down and compensated for the loss. They are not people with rights and freedoms and protections, they are line items on someone’s accounting sheet, objects with monetary value pre-determined and understood.

Frenchie isn’t called a slave because that British officer (yeah, I’m not learning his name, not sorry) felt like being an ass or wanted to make him feel bad. He called Frenchie a slave because he was furious that some thing, some object, some less than creature, was speaking to him as if they could have even the faintest hope of being on the same playing field, let alone equally human. He was declaring Frenchie an object and a tool that should be silent unless spoken to.

That’s why Jim throws that knife at him. That’s why Jim is pissed enough to blow their cover even with a fuck-off huge warship right next to them.

Because everyone on the ship knows exactly what being a slave would make Frenchie. And Jim especially has reason to be aware of and sensitive to that, given that Jim is in love with a Black man who’s already been being demeaned, dismissed, and disdained through this whole encounter.

Those British officers get their shit wrecked because they’re declaring people the crew loves to be less than they are, less than human, reminding them all that in the world outside of piracy Frenchie, Oluwande, and Roach aren’t people but property. Objects. And that shit’s not fucking acceptable.

This logic directly follows through with the French captain Ed has killed - which, let’s be clear, that French captain was definitely going to be killed no matter what, because this is a pirate raid and if they massacred what seemed to be a majority of the crew already, there’s little chance they’ll leave the dickbag captain alive behind them. So this isn’t a man who got killed because he was a racist fucking dick.

This is a man who got himself a worse death being a racist fucking dick.

The scene plays out in a very similar way as the previous dickbag racist to get got, except in this case, there’s no Jim to to take control of the situation (Stede is not able particularly helpful here because of his own implicit biases that he’s yet to unpack), there’s just Ed and Fang here to react to this situation.

And the situation is - the French Captain being a racist, and specifically choosing to focus on being a racist to Ed rather than just being generally anti-pirate. I’d thought that was pretty clear until I came across the sentiment that Ed is lashing out here because his “feelings were hurt” rather than because he was responding to racist bigotry, so let’s be blunt about that.

Stede starts the interaction with a characteristically bitchy remark about how there’s a distinct lack of saucier spoons on this “supposedly first class vessel”, but when the French captain throws out, “my apologies… hadn’t imagined we’d be hosting your kind”, the meaning of that statement goes right over Stede’s head. He registers insult, sure, but the way Ed stills there? The way he closes his eyes and then turns and requests clarification in a way that is clearly meant to give this asshole a chance correct his mistake?

That’s Ed identifying what Stede missed. That when the French captain says your kind he’s not referring to pirates. And that’s made clear by the fact that when he continues on, he doesn’t direct his response to Ed And Stede, he directs it to Ed specifically.

“A rich donkey is still a donkey.”

That’s the French captain doing what the British officer did. Naming Ed for an object, a beast of burden, a thing that is not worthy of recognition or respect or acknowledgement. Ed’s Blackbeard and yet as far as this asshole is concerned, by the very fact that he’s not white nothing he’s ever accomplished, not the fear he inspires or the legend he’s built, matters in the face of that.

That’s what racism is about.

It’s about whiteness establishing that the most successful, the most fearsome, the most legendary of all pirates is an indigenous man and that makes him worth less than any white man. He’s got this captain’s life in his hands, and even that can’t make the man treat Ed with a crumb of caution or respect. He’s not a person to that French man. He’s an upstart, an animal stepping out of line.

And honestly, I think too many people think Stede’s reaction was the right one. Because it wasn’t. At all.

Stede’s not helpful here, I mentioned earlier, because he’s got his own implicit bias acting as baggage. When Ed expresses his absolute fury at this man calling him a donkey, a beast of burden, an animal, even though he doesn’t know nothing about Ed, Stede’s response - is to try and stop the anger, rather than address the source of it. “Don’t debase yourself for a man who doesn’t have a single tureen on board.” knowlesian https://tmblr.co/mv29yssej8nmioau-5ig0cg has written some great meta on the subject of this response, but to put it simply - Ed also doesn’t have a tureen on his ship, Stede, and there’s nothing debasing in a natural and normal anger response.

Someone labels you an animal, a beast, a creature, you should get angry. They should get cussed the fuck out. Especially because again, it’s not unique. The French captain is very effectively reminding Ed that the greater society, the world, will never see him as a full person, deserving of respect and acknowledgement, no matter what he has or how he carries himself or what he accomplishes. It’s foreshadowing how the party will go - to the white world, Ed will always be a novelty at best, a disobedient animal at worst.

Lashing out at that, especially with words, isn’t debasing yourself.

And honestly, that guy getting thrown overboard? And skinned? (Though really, it’s up in the air as to whether Fang actually bothered with that.) That’s a power fantasy for so many of us fans of color, lmao, the idea that god, one of the fucked up assholes out here doing their level to remind us that the world does not see us as full and equal people, gets to suffer and die.

It’s not because his feelings were hurt. It’s because just like the British officers, this man is reminding Ed and the audience that the structural power of racism is such that you can never win within the system of it, because the system is built to keep us out, keep us down, keep us pinned.

Stede’s reaction makes sense, because he’s part of that system too - he’s been born and raised in it, in the respectability politics, in the genteel illusion that the upperclass way of doing things, where you direct the initial response to the person reacting too loud, too public, showing all that messy, uncouth emotion rather than the person who’s actually the problem. You look at the response rather than the source.

And Stede, to his credit, isn’t trying to shut Ed up. He’s trying, in his own way, to be helpful, actually!

But Stede doesn’t know what it’s like, to be considered not a person. As a white gay man who everyone has been able to clock as gay his entire life, he’s been treated as lesser than and wrong and disgusting his entire life, by his father and his peers, but he’s till a rich, land-owning white man. That makes him a person, even if a despised, rejected, undesired one. His society sees him as a person, someone who could even, theoretically, plausibly, be treated with respect if he could just behave according to their rules.

That’s not an opportunity you can have, with racism. It’s one of the underlying differences in homophobia and racism that I’ve personally felt, as someone who’s experienced both. With homophobia, what you are is wrong but the expectation is that you can, should, and must, act “right”, behavior “appropriately” and then you can fit in. At the bottom of the pack, but in. With racism, you’re always out. You can’t change your race. You can’t change what you’re identified as on sight. You can’t do anything to overcome what you are, and that’s why you’re treated as and understood to be less than.

And in this time period, that’s very much a legal standing, far more overtly than it is in 2022. Black people aren’t people, in 1717, they’re property or soon to be property or creatures without real intelligence who need to be minded by their betters. Indigenous people aren’t people, they’re savage animals who need to be minded by their betters, uneducated, uncontrolled.

The response to the British, and the French, and later to those aristocrats, is appropriate in this world, because this is a world that does in fact, cater a bit to that fantasy - what if some people got what they deserved, sometimes? What if it was in fact, the right thing, to fuck up a racist? The internet loves to talk about punching Nazis and TERFs, as they should, but the same goes for a racist too. These guys are reinforcing a corrupt, horrific system of abuse, and they get what they deserve.

I’m sure this won’t reach many people. But if you read this post, I hope you think about what racism is, and how it works, and understand that it’s not about the individual at all. It’s about the system at play and how that system dehumanizes and minimizes and objectifies whole classes of people for the sake of uplifting a single race and making everyone else into objects and novelties and creatures rather than people.

Next time you see someone say Ed “had his feelings hurt” by the French captain, or imply that the British navy were “rude” to Frenchie, Oluwande, and Roach, remind them that they weren’t fucking rude, feelings weren’t hurt, they were being actively dehumanized in accordance with an overarching system of widespread oppression.

Breaking fandom containment because whether you’re a fan of OFMD or not, whether you even know who these characters are, this is a really excellent thing to be reminded of, and I recommend the essay even if you are not familiar with the characters. (Your picture was not posted)