via
https://ift.tt/2VefV1ychimaerakitten:
frankly, I don’t think stories with immortal-formerly-human characters actually go as far as they could with it?
I know this is kind of weird for me to say because I’ve also been known to say stuff like “stop having the dragon guard the sacred sword treasure macguffin for ten thousand years. do you know how long that is? that’s like, early neolithic. that sword is made out of steel. this makes no fucking sense.” but like, hear me out.
so like, anatomically modern humans have been around about 200 thousand years, so that’s how old you could theoretically have an immortal character be before you get into predates-humanity-probably-beyond-comprehension-elder-god territory. (which is a whole different deal because immortal characters who were never human in the first place are a different ballgame and there’s plenty of them so that’s not a missed opportunity)
and I mean I guess you could say that in your universe where vampires/whatever exist, none of the first few have lived that long, but that’s kind of no fun? and that reduces your immortality angst to less “I could be around literally forever” and more “in practice there’s no vampires older than about two thousand, so that’s probably how long I’ll be around for. that’s a long time but if I make some vampire friends everything will be fine”
but if you have a vampire that’s like “Yo, I’m still not used to these fuckin…modern animals. It was Pleistocene megafauna for most of my life and I miss the big fluffy boys. also you guys have shitty stars. they’re better when Vega is the North Star. I can’t wait to get rid of Polaris again. Your languages are wack too. I miss photo-indo-european.” then your recently turned character can go “well fuck, I might outlive…humanity, as a whole.”
anyway this is getting long so more under the cut
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Oh I started writing a book like this, so long ago. It’s in my notes from around 2000, I was so taken with my trip to the Museum of Natural History in NYC I think– they have a gallery of early ivory carvings, and I wrote a short story with no plot of a woman who had been the subject of the carving seeing it and weeping because she remembered the carver.
I didn’t know where to go with it, though, because OP is right, it’s such a huge concept. But I really enjoyed the idea of my 40,000-year-old woman reminiscing on an era of her life she had nothing left of.
