Jan. 19th, 2020

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no i am not going to learn “toss a coin to your witcher” on the banjo

mostly because i think my banjo teacher wouldn’t get it

and also it’s not even folk-style, it’s not going to translate to bluegrass at all

… actually it would be hilarious. ok fine the only impediment is that literally no one i know in real life would get it or think it was funny, so that’s actually why i’m not going to do it. but it would be funny. 
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singelisilverslippers replied to your post “you just shake it until it starts rattling and eventually something…”

they all sound good but the viking one sounds AMAZING

ngl i really want to do that one but i also think i need to ruminate on it a bit. i wrote down vague notes but i have absolutely 0 plot beyond that tiny outline and i am not really in the mood to write yet another 40,000-word thing that winds up just being a bunch of scenes and dialogue but has no plot whatsoever, which is what i’ve literally spent two years doing now, not a scrap of useful plot in the whole fucking morass. Ugh.

listen i can do setting, i can do characters, i can do dialogue, i can come up with all kinds of motivations for those characters, backstory galore! but

but actual plot story? not really my thing. unforch that’s a thing people want in novels, and i just. i don’t got it. not at present.
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boxoftheskyking replied to your post “for the record”

I’m like 2 days away from insisting my band learn it and also writing a version of it about nonprofit fundraising to harass my grant writer friends so honestly go for it

as it is my banjo teacher was like “what really” when I wanted him to teach me Tommy Makem’s The Mermaid so I am definitely not going to get any help on that one from him. But I may finally (after a whole year; musically talented i am not) be to the point where I can fuck around and figure things out. maybe. i don’t know. 

i love the idea of adapting it for grant writers though, that’s fantastic.
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singelisilverslippers replied to your post “singelisilverslippers replied to your post “you just shake it until…”

i mean, hats off to you, i feel like i’m gifted with these lovely little plot bunnies that i just keep embroidering in my brain until i can go there in an instant and i know the shades of mood, the turns of phrase, the emotional beats, etc. am i capable of writing ANY of them down? nope. i’m sure whatever you choose to work on next is going to be magnificent!

At the moment it feels like all I really want to do is immerse myself in a world where people live differently from here and like, I get it, but that is not really telling a story other people can follow along to, right? Argh.

girderednerve replied to your post “you just shake it until it starts rattling and eventually something…”

also extremely enthused about the viking one (!!!), and i hope your other obligations go well

Thanks! 

I was only sort of interested in the vikings one until I was like, oh, make it gay? hm that could be fun, and then suddenly I was like (ok I work next to a… it’s sort of a daycare and sort of OT I think and specifically focused on making art? for adults with brain injuries and developmental disabilities so I think about super-disabled people kind of a lot because I have to walk past picture-windowed rooms [the windows are decorated with their art and it is fantastic] full of them having fun every morning between the parking lot and my office and I know, it’s delightful and I’m lucky and it means i think about this stuff a lot) wait there are never super-disabled people in Fantasy Viking stories but we know from archaeology that despite the custom of exposing unwanted infants real Viking-age Norse routinely cared for disabled children and adults well past the point of them being “””useful””” in society and so obviously there’d be disabled people and then suddenly the brother existed more or less fully-formed and is probably going to be the key to the whole story somehow. 

But, he does mean I have to do research, because walking past some disabled people five times a week doesn’t mean I know jack or shit about a nonverbal autistic man in a premodern society and what sorts of accommodations his loving sister would be able to acquire in an unsupportive vs supportive environment. But like, there’s most of my setting structure, right there, because to answer those questions I need to give such pivotal details. It’s like, the whole handle to the story. (Because, obvi, her old home wasn’t that supportive and she had to fight and advocate for him all the time, and the new home, whence she’s been kidnapped by these savages, wins her over by being a lot more supportive and maybe the Marauder With A Heart Of Gold has a similarly-disabled relative or neighbor or something, and instantly gets what his deal is and is like oh well obviously I’m not going to swordfight this strangely-behaving man because I see what the deal is here and what’s more I know how to act like a reasonable person and not yell at him, so calm down alarmingly-buff lady with the forge hammer and let’s talk this over because you look hella useful and also hot.) (And then later she can be like listen my nonverbal friend who I’ve figured out how to communicate with, your sister has a real mean temper but I think she’s hot and i know you can tell me what she really wants in life, and he’s like, I vibe with you, sword lady, we’re gonna make this happen.)
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lalitrus:

Reminder that the aesthetics of green living aren’t the same as actually making good ethical decisions about the resources you have access to.

jenniferrpovey:

Also, durable plastic is not nearly as much of a problem as single use plastic.

Many people can’t afford a wood and bristle hair brush anyway…they’re like six times more expensive.

lets-close-the-loop:

Why do I have a plastic hairbrush?

My friend was visiting me the other day and as she sat in my living room she noticed my plastic hairbrush on the table.

“Why do you have a plastic hairbrush I thought you care about nature and you try to avoid plastic!”

Why? Because I can still use it. I have had this brush for cca 12 years. It is not broken. It’s fine. And I will have it for as long as it works and then buy a good alternative. We don’t throw away things that work perfectly fine just to prove to other people, that we care. We use the things we have FIRST!

There is no need for buying a stainless steel lunch box if you can still use an old plastic one. It’s fine.

USE WHAT YOU HAVE FIRST and when it no longer works like it should, dispose of it responsibly and then get a good alternative. You don’t have to prove anything to anyone.

Love

K.

This is a thing that makes me grit my teeth a bunch at Instagram advertisements. I even saw a WhateverBox-style subscription service whose entire premise was that it’d send you a random box of Green Lifestyle Implements every month. More stuff, shipped to you through the mail, whether you needed it or not, to give you that Green Lifestyle. There was another one too, that was for secondhand clothing, they’d just mail you a box of new-to-you clothes every month or whatever, so that you could have new things but it’s green because they’re secondhand.

The greenest thing you can fucking do is not buy anything. There’s no money in that, though, so they’re not going to be selling you that– but. oh my god.

I actually do have a friend on Instagram who was talking about that; she had a picture of a bunch of plastic quart bags and was like “I’ve decided to cut out my plastic use and I’m excited for that but first I have to use all these plastic bags until they fall apart because otherwise I’m just generating a mound of trash for the aesthetics of a plastic-free kitchen, so, here I’m labeling them with Sharpie so that I won’t cross-contaminate when I reuse them, and in four to six months I’ll have used them up and I’ll be using glass instead.” Like, you go girl, that actually means something, and the post wasn’t just performative it was actually informative. I do that too now, it was useful.
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I opened this window to brag about having written a thousand words on a project finally but then I checked and it was only 800, so this made me go back and round it out.

Here, have an excerpt, which is the prequel to the 300,000 word novel I never finished in 2004 or all the intervening times when i’ve rewritten it since then. I don’t know that this has a plot either but I’m writing it as a series of short stories, I think. I’ve never done that, why not do it now?

I designed this character before I’d ever heard of such a thing as a paladin, but he is a paladin really, and an uncanny berserker of one when he’s not being a self-negating martyr– but that happens in the opening of the main book, and I thought, if there were a prequel, one could appreciate the transformation a bit more. (Also I’ve rewritten the opening of the book literally a dozen times and never figured out how to make it actually work, so…) But as I’m discovering, he’s sort of always Been Like That. 

Zinzi,” I said insistently. “Zinzi!” 

I’d said his name nine times now and he hadn’t responded, and I knew it was because he wasn’t used to the nickname yet. I also knew it’d be my actual entire head if I used any of his real names, here, or called him by any of the addresses of respect he was entitled to. 

“Zinzi!” I hissed, and threw a pebble at him. It missed, and I scrabbled up another and bounced it off the leather of his left shoulder’s pauldron.

At that, finally, he broke off his conversation and turned, fixing me with a glare where I stood holding the horses, which I’d been meant to get into a stable for the night. “What, Feliks!” The exasperation leached immediately out of his expression as he realized he’d used my real name. “Shit,” he said, grimacing. “I’m terrible at this.”

Fortunately, my name didn’t matter; I wasn’t anybody. And it was comical; he’d never been terrible at anything before in his life, and it was wearing at him. 

“You are,” I couldn’t resist saying. “Zinzi, you know I hate to interrupt an important conversation, but I’ve just found out how much they charge for rooms and stabling at the inn here and we can’t afford it so I just wanted to let you know plans have changed.”

Zinzi, for so I had to think of him, went a little stiff at that, armored shoulders rising slightly; the money taboo was a strong one and he’d always taken it seriously. Some of the other gods-devoted knights would go so far as to handle money as long as it was in a container, but never Zinzi; he was unusually fervent in his beliefs and seemed to genuinely imagine that a sack of money would burn right through every shred of his holiness, and possibly kill him too. No, that was uncharitable– he didn’t fear death at all, he only lived in constant dread of dishonor.

But I wasn’t going to dance around with euphemisms, tired and filthy and exhausted as I was, and also the point of this was that the man he’d been talking to was a wealthy local and hopefully would step in.

“Ah,” Zinzi said, and he was too well-bred to swear. He was also, unfortunately, too well-bred to beg, ask outright, or even insinuate. “What’s the new plan? Can we at least feed the horses?”

Gods, he was so fucking noble. 

“They eat grass, L– friend,” I said. I’d almost called him lord. This was impossible. I’d been lying my whole life and somehow MmmmZinzi could burn straight through it with a frown. Even in my head! Even in my head it was hard to call him anything other than what he was. “I’m certain we can find some of that. You and I, however, can either eat real food or sleep in a real bed and I thought I should ask you which you preferred before I made arrangements.”

The wealthy farmer was watching us somewhat dubiously. “They don’t charge that much at the inn, surely,” he said slowly. “For patrollers? They shouldn’t gouge you, that’s a scandal!”

“Well,” I said, “we don’t have much, not to put too fine a point on it, but you’re correct, it’s customary to offer our kind at least basic accommodation for no or low charge. That just… doesn’t seem to be the case, here in your lovely township.”

Zinzi looked from the farmer to me, and then glanced back at the farmer, and then turned the full force of his considerable attention onto me for a brief moment. He looked noble, his broad handsome face composed into a very mask of genteel, mild Disappointment, head tilted a bit, his arching eyebrows the perfect punctuation of it. He had caught on to my entire game. I gave him a beseeching look: we’d slept in a ditch the night before, and a barn the night before that, and I earnestly did not want to repeat the ditch experience so soon. We’d have plenty of that, going forward, and it would be preferable if we could space it out just a little bit, and one of the ways of doing that was saving our scant money whenever possible.

He did not do anything so coarse as sigh, but he did lift his chin minutely, and he turned back to the farmer and made a small, resigned smile. “It’s understandable,” he said, “in a town this free of trouble, that the inhabitants should not constantly be thinking of the dangers that are unlikely to befall them, after all.”

“But it is by the sacrifices of the border towns,” the farmer said, “and of course the unceasing vigilance of the patrollers, that our peace is won. We should not need to be reminded of that!”

Zinzi smiled beatifically. “We should consider the townsfolk’s blithe unawareness a reward in itself,” he said, and damn him, he probably meant it. 

The problem with the inhuman regimen of training that the gods-devoted knights were subjected to from early childhood was that it left them completely bereft of any sense of healthy perspective about normal human things like sleep, comfort, grave bodily danger, and beds. Combined with the money taboo, it meant that Ma– Zinzi– really had no concrete grounding in literally any of the things that normal humans cared about. Which was probably great for his relationship with his personal deity, but made my job a whole lot more difficult most of the time. 

It was now the farmer’s turn to look at him, then at me, then back to him, and finally back to me again. He’d noticed, too, that Zinzi was absolutely genuine. I gave him a meaningful boggle-eyed look: he’s always like this, I conveyed, as clearly as I was able, going so far as to nod slightly. If Zinzi noticed, he didn’t let it show.

“I don’t have a fine guesthouse,” the farmer said, “but I do have a spare room, and places at my table. I even have fodder for your horses. Perhaps my comfort is a reward to you but I suspect it would benefit all of us if I made it more materially relevant than symbolically.”

“We couldn’t impose,” Zinzi said, which I’d known he would, and I kept my gaze fixed on the farmer and looked as long-suffering as I could manage. The farmer had to bite his lips against a smile, and looked back at Zinzi with his face carefully solemn.

“No, I insist,” he said. “It has been too many years since patrollers on errantry have come through here, and a hot meal and a bed is approximately the least I can do.”
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bebeocho replied to your post “for the record”

i taught myself some/most of it on piano very roughly and it was really just very fun, other people be damned! don’t let your dreams be dreams!

A minor, D, D minor, G, D, D minor, G, E minor. Wait a minute no two verses are alike? And the chorus: 

Am E MajorE C majorC
Toss a coin to your Witcher
D MajorD A minorAm
O’ Valley of Plenty
D MajorD A minorAm
O’ Valley of Plenty
A minorAm
O’

A minorAm E MajorE C majorC
Toss a coin to Your Witcher
D MajorD E MajorE E7E7 A minorAm
O’ Valley of Plenty

Yeah that’s. That’s definitely not the 1,4,5,1 structure my teacher’s been working on with me. I can’t…. even… can that be right?? [link to my source: https://www.guitartabsexplorer.com/sonya-belousova-Tabs/toss-a-coin-to-your-witcher-crd.php  I am not sure this is accurate.]

Anyway I clearly don’t know enough about modern songwriting structure. This is far too complicated for me to figure out for a joke, so. No, alas. 

gnefariousgnorc replied to your post “for the record”

sigh I’ve been having thoughts on and off about maybe finding a cheap-ass lute somewhere bc what I’ve got is a keyboard and piano is hard and now they’re turning from thoughts into That Would Be A Hilarious Joke, Do It, Y'know You Could Sing While Playing It, Too, It’s Kind Of Like A Small Guitar, Right, And Those Are Supposed To Be Fairly Quick To Pick Up (when you’re not doing classical guitar, jesus no)

Well, speaking as a Player Of Obscure Stringed Instrument, it seems to me the only way to really do anything is to find an instructor. For me. YMMV a great deal, of course, but I’ve owned a guitar for a full  twenty years and can’t play it like at all, and I even bought a harp like a decade ago to no avail, and now after a year of banjo lessons I can, well ok I can play the songs I’ve learned and clearly can’t teach myself new ones so maybe I’m not a good judge of literally anything…

In other news, now thanks to a generous donor I have seen episode 2 of the Witcher and can say several things for certain: 1) I still don’t know what the fuck is going on but I can get what they’re doing with the timeline, I don’t know why but sure why not, 2) OK I get why people like this, and 3) Henry Cavill is working way harder than this fucking deserves, he is a goddamned treasure. 
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More of sunrise over the Djupveger enroute to Holmavík. I loved this one because it looks like the mountain is on fire.
https://www.instagram.com/p/B7g4pKrh6qA/?igshid=1i0otsnh6pyhi
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So, I have this banjo. It is a beautiful Gretsch bluegrass resonator banjo, with lots of mother-of-pearl, and a very heavy, bell-brass tone ring around the inside of the head. It weighs at least fifteen pounds. It is substantial.

I bought a strap for it rather hastily, since it didn’t come with one. I bought a decent brand, Op-Tech, because I was familiar with them– we were a dealer of their camera straps for years, at my dayjob, so I knew what kind of materials and padding I could expect, and I was not disappointed. It was a good, very plain, heavy-duty strap.

I sort of didn’t like it, though. Firstly because it wasn’t adjustable *quite* short enough. Secondly because the way it attached meant it frequently twisted, and the padding made it very uncomfortable when twisted. But due to the banjo being both very heavy, and very smooth, it was nearly impossible to get it settled.

But I figured I’d just live with it; a cheap strap is $30, and the nice leather cradle straps were like… $50 minimum, I wasn’t going to do it.

Well… Dude bought himself one of the nice leather cradle straps, which is fine, it’s his prerogative, he has a lot more money than I do. (We share all our money but I’m always aware that he earns more than four times as much as I do, so I try not to frivolously spend more than I can easily justify as being mine.)

He does *not* have a resonator banjo. He has a hollow-back banjo. This brand of cradle strap– the nicest, if plainest– doesn’t fit Deering hollow-back banjos; there’s not enough clearance in the pins that secure the head in place to allow the strap to pass through.

So I just scored myself a beautiful buffalo-leather cradle strap which I never would have bought myself, and discovered that yes, indeed, it fits beautifully, does a far better job of holding my banjo, and is more comfortable all around than the padded nylon one. 

And as an additional bonus, Dude has been laser-focusing on learning The Mermaid so that he can do all the complicated fingerpicking and I can just do chop backup chords so I can focus on singing, which is fucking perfect, because I love to sing that song and am worried about being able to be coordinated enough to sing while playing. 

(Not that we’re performing it per se, but I want to play it for my BFF and her kids and it’d be better if we could make it all the way through!)

I’ve also just realized there’s one more week until we’re seeing them than I thought, so maybe there’s enough time to master this one and pick up a second. That would be so fun!

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