via
http://ift.tt/2zFVgX0:
I never did write anything original during November.
I got as far as sketching out a few of the bones of a world, and I had the opening scene sort of loosely imagined, including a super-amazing reveal that would pull the reader into this world.
But it’s still living back there, in the back of my mind. And one of the things that recently occurred to me is… what if I just… like, this wouldn’t be the point of the book, but what if I made the whole thing have no male characters with any agency of their own?
I notice this in myself, still– if I’m writing a story focusing on a single character, it’s almost always a man. If I write an ensemble piece, a man will wind up being the character whose POV/throughline I prioritize. (*cough* Kes, you scene-stealing motherfucker.) I noticed this a while back, actually, and it’s why I have two major MCU epics: one is primarily about Bucky, the other one, I forced myself to not give him one single solitary POV scene. (I wavered, though; he has a lot of monologues where he addresses a camera. It’s not the same, but he sure gets to have his say, even if the reader’s not inside his POV.)
So anyway. It would be really entertaining to have that be just… a down-low kind of background-level feature of this world. There’s no male characters who are actually important. Not like, anti-male or whatever, just a straight faithful inversion of your average adventure story, where approximately 17% of the population is female and you wind up with one or two speaking parts and one of them is a crone and the other the love interest who has no narrative arc or particular motivation of her own. So, just reverse that.
Even better, the protagonist is casually low-key benignly sexist and pats the love interest on the ass, tells him to “calm down” a lot, etc. She’s not a misandrist! She loves men! How else is she going to get that baby like a trophy at the end of the adventure?
I’m gonna give her a sidekick boy who’s sort of helplessly in love with her and he has no idea and he follows her around and does what she says and maybe gets killed by the bad guy eventually and then her womanpain makes her stronger.
But like. Actually tell a good story in among all that. You know? Like, keep that background. I’m not setting out to be sexist, here. I’m just trying to invert a trope, that’s a value-neutral thing clever literary writers do all the time.
(Your picture was not posted)